BLUFFTON at the Muskegon Museum of Art!

On March 6, I had the immense pleasure of attending the opening night of Buster Keaton's Bluffton: A Graphic Novel by Matt Phelan, a new exhibit at the Muskegon Museum of Art.

The experience of seeing my paintings framed and hanging on a museum gallery's walls was amazing and more than a bit surreal. It took me a few minutes of standing in the gallery to really get my head around the whole thing.

The exhibit features paintings, sketches, and preliminary work as well as Bluffton memorabilia (including a porkpie hat made by Keaton's wife Eleanor and a bar stool from Pascoe's).

The museum is also featuring a range of special events around the exhibit and encouraging local schools to bring their classes. 

On opening night, I signed books and gave a talk about the making of the book. I met many people who either currently live in Bluffton or had relatives who lived there during the vaudeville era. 

One gentleman gave me a photo of his father as a boy sitting outside of Pascoe's. Needless to say I was overwhelmed with the warm reception the book is receiving from the people of Bluffton.

The exhibit runs through May 25, 2014.

           

The Road to Bluffton, Part 2: Vaudeville

Vaudeville. The entertainment form of the early 20th century. Variety was the order of the day. For one small price, you would get several acts in a single bill. Singers would be followed by jugglers. A tap dancer might be next, or a an actor reciting Shakespeare. There were knockabout comedians, illusionists, musicians, and contortionists.

Vaudeville was not a talent show. These performers were seasoned professionals. They honed their crafts and polished their acts through years of performances. Many of these performers went on to further fame in radio, movies, and eventually television. Jack Benny, Bob Hope, George Burns and Gracie Allen... even Cary Grant (when he was still Archie Leach).

I had a great time learning about vaudeville for Bluffton. It left me with a great admiration for the performers and a desire to hop in a TARDIS for a trip back in time.

Nora Bayes

If you are interested in learning more, I recommend No Applause — Just Throw Money by Travis S.D.  which is a pretty good overview of the various performers and circuits. I was lucky enough to find a copy of Bernard Sobel's out-of-print book A Pictorial History of Vaudeville at Philadelphia's Book Trader. That book really brings the past to life. Good stuff.

Bill Bojangles Robinson was a huge star and a good friend of the Keatons. He taught Buster how to do the soft shoe dance years before he taught Shirley Temple on film. 

The Road to BLUFFTON, Part One: Buster Keaton

I don't even know where to begin.

Cops and The General were in heavy rotation at my house when I was a kid. This was the seventies: pre-cable, pre-internet, pre-DVD, pre-VHS, heck... even pre-Beta. We had the films on Super 8 so we'd watch in a darkened room as the projector click click clicked along. The General required a few reel changes. Occasionally, the film would unspool onto the floor. It was a bit of work, but it was well worth the effort.

We also had Chaplin (The Rink! The Cure!) and Laurel & Hardy (The Music Box!!) but Buster was special. His movies somehow moved better, faster. His gags were bigger, the stunts more elaborate. That unsmiling little guy, beset by the world, was funnier.

Fandom turned into admiration which turned into obsession. By college, I was searching used bookstores for anything I could find on Buster (again, pre-internet). Kevin Brownlow's masterful documentary A Hard Act to Follow was watched over and over until I feared I'd break my VHS set (I have a set and so does my dad, as a back-up. It's never been released on DVD but you can watch the whole thing on YouTube, which I recommend). Keaton was a genius -- the genius of the silent era -- and his personal story was equally compelling. I admired him, but I also liked him.

I wanted to write about Buster Keaton. By focusing on Buster as that extraordinary boy star of vaudeville, that legend in the making, I found a way to explore the talent and the person. I wanted to show that boy who I genuinely liked enjoying the "happiest days of his life" during those Bluffton summers.


If my book inspires one kid to watch a Keaton film for the first time, I've done my job. They're streaming on Netflix. They're on DVD and Blue-Ray. Many, including Cops and The General, can be seen in their entirety on YouTube.

Watch. Laugh. Marvel.





Buster was also a ukulele player. Yes, this is pretty much why I play ukulele, too.

Happy New Year!

Here's to more laughter in 2013.

This is a tune called the Laughing Rag by Roy Smeck from the 1920s. Buster Keaton would have certainly known this one and probably could have played it better than I can. Anyway, here's a version recorded during the packing and moving from my old studio. I'm using my 1930 Reed/Regal ukulele purchased from Antebellum Instruments.

Happy New Year, everyone!